10 集

看到“统计学”，你首先想到什么？是让人眼花缭乱的表格，还是各种晦涩难懂的术语？其实，统计学并不遥远，从日常生活到科学研究，到处都有它的踪影；统计学也并不枯燥，在本片中，明星教授Hans Rosling将用新奇的方式、先进的技术和幽默的语言，带我们走进妙趣横生的统计学世界。

《巴塔木数理逻辑儿歌》是巴塔木推出的全新儿歌系列，该系列基于新开发的2D动画形象制作而成，秉承了巴塔木儿歌一贯的风格和教育属性。儿歌多律动歌舞，全系列产品的重点主要在颜色，数字，图形等简单的逻辑教学。巴塔木主要角色分别为：巴塔，咪咪，波谷，克里，杰茜和艾比。巴塔是个人见人爱的好伙伴也是个值得信任和追随的领队。咪咪是沙漠中木木王国的公主，她是个充满爱心的人。波谷是企鹅兄妹中的老大。他喜欢运动，喜欢开玩笑。克里是企鹅兄妹中的老二，他平日里十分低调，可一旦碰到感兴趣的事，就会变得非常激动，尤其在吃方面。杰茜是个明星，她热爱唱歌跳舞。艾比是巴塔木队伍中年纪最小却最聪明的成员。她十分擅长计算机和高科技，总能发明一些新型的东西。

Lil Timmy Tim and his classmates perform a wild rap about statistics class. 　　（据Hammer说此作业拿了一个D-

在旅行中遇见浪漫的概率有多少， 　　应该不到10%， 　　这次的旅行，能遇见吗

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。

想要守护历史的年轻史官和为了成为国王而想要抹去历史的王世孙为了彼此的信念而斗争的故事。